Plastic Forms
Sculptural work requires spatial imagination, as well as both classical and experimental approaches to work. Techiques and materials used for casting and mould-making, along with the relationship between positive and negative forms are investigated. Modelling an animal skull means the direct translation of a three-dimensional model to a sculpture, without any abstraction or drawing in between. This increases perception with regard to construction, spatiality and material. Analogue cameras used as moulds for silicone, which is poured inside them, reveal surprising three-dimensional forms. Air used as material makes spaces made of foil into sculptures, resulting in ‘inflated homes’.